Post-Production Supervisor Services

Here is how the work lines up. Post-production supervisors working through our Canada roster carry credits across Tattersall Sound & Picture Toronto, Studio Post, Lakeside, DNEG Vancouver, Toronto and Montreal, Pixomondo Toronto, MELS Post Montreal, Folks, Mavericks and the Mr. X / Wolfe Productions slate that has shaped Canadian finishing for the last two decades.

They know vendor allocation at scale — running edit through Tattersall while parallel-tracking VFX shot turnover at DNEG Vancouver, color grading at MELS or Company 3 Toronto, dialogue edit and final mix at Tattersall or Mavericks, and burn-in deliverables routed back to the showrunner without losing a frame.

Federal CPTC at twenty-five percent qualifying labour and PSTC at sixteen percent stack against provincial credits — BC's twenty-eight percent BC PSTC plus DAVE sixteen percent regional six percent uplift, Ontario's OPSTC at twenty-one and a half percent or twenty-one percent OCASE for computer animation, Quebec's QPSTC at twenty percent with sixteen percent effects uplift, Manitoba thirty to sixty-five percent — and CAVCO certification is gated on naming the right post-supervisor on the right title list. Our supervisors file all of it through the CAVCO portal and keep the Telefilm and CMF audit trail clean.

On the delivery side, Canadian post-supervisors are fluent in IMF (Interoperable Master Format) packages for Netflix Canada tech check and Open Connect CDN ingestion, CRTC broadcast specs for CBC and Radio-Canada Tech-Ops, and DCP delivery into Cineplex, Landmark Cinemas, IMAX HQ Mississauga and Cinema Guzzo in Quebec for theatrical chains. Festival cuts route through TIFF, Hot Docs, VIFF and Fantasia on a tight calendar with bespoke print masters.

Streaming deliverables hit Crave, CBC Gem, Tubi Canada, Apple TV+, Disney+ and Amazon Prime Video Canada — each platform with its own audio loudness, HDR, captioning, audio summary and IMF/ProRes spec stack. Bilingual EN/FR delivery is the default for Quebec broadcasters and Radio-Canada, with M&E stems, French dubs through MELS or Cinélume, SCC and TTML captioning, and CRTC access compliance built into the wrap-to-delivery schedule. We match post-supervisors based on the streamer/broadcaster mix, the provincial credit envelope, and the exact bilingual or access deliverable stack.