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Whistler Mountains - filming location in Canada

SCENE 01 / LOCATION SOUND SERVICES

Location Sound Services

Professional on-set sound recording for film, TV, and commercial productions throughout Canada.

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Here is how this works in practice. Location sound services cover the complete audio capture workflow on set, from recording dialogue and ambient sound to managing wireless systems and playback. From downtown Vancouver street scenes to wilderness locations in British Columbia, our teams handle Canada's varied acoustic challenges with gear from industry suppliers like Sim Digital and William F. White. A skilled location sound team makes sure each element of production audio is captured cleanly, minimizing the need for costly post-prod fixes.

Here is the short of it. We give complete location sound packages across Canada, with crews based in Toronto, Vancouver, and Montreal. Our mixers are skilled at Pinewood Toronto Studios, Bridge Studios, and on location across the provinces. Our team sets up crew and gear to match your production's format and scale, delivering pro audio capture that meets broadcast and theatrical distribution standards.

Capabilities

Sound Services for Every Production

We provide experienced sound teams equipped to capture pristine production audio across all formats and shooting conditions.

01

Narrative Production

  • Multi-track dialogue recording
  • Scene continuity management
  • ADR reference tracks
  • Ambient and room tone capture
  • Production sound reports

Pristine Dialogue

02

Commercial & Corporate

  • Interview audio capture
  • Presenter and VO recording
  • Product sound effects
  • Fast turnaround delivery
  • Multi-location coordination

Broadcast Ready

03

Documentary

  • Run-and-gun recording
  • Available light conditions
  • Discreet equipment setups
  • Natural sound capture
  • Extended shoot endurance

Authentic Sound

04

Live Events

  • Multi-source mixing
  • Backup recording systems
  • Real-time monitoring
  • Crowd and ambient capture
  • Live-to-tape delivery

Live Excellence

On Location

Sound Devices Scorpio and Zaxcom Nova rigs with Lou Solakofski, Glen Gauthier and David Husby lineage mixers

Here is how the work lines up. Location sound in Canada draws on one of the deepest production-sound talent benches in the world. Lou Solakofski sits at the top of the re-recording lineage with regular Canadian Screen Awards recognition. Christopher Boyes (Canadian-born) carries the Pacific Rim and Hobbit credits onto the supervising-sound-editor side. Mark Berger holds four Oscars from Apocalypse Now through The English Patient. David Husby ran production sound across the Schitt's Creek run. And Glen Gauthier has compiled many Canadian Screen Awards on production sound across feature and series.

Here is what we have to work with. The recent feature and streaming series record runs through Star Trek Discovery, Strange New Worlds, The Boys, The Handmaid's Tale, Dune Part Two second unit and Schitt's Creek. The standard senior bag mixes a Sound Devices Scorpio 32-track or 833 16-track recorder, with MixPre-10 II for documentary and second-unit days and Zaxcom Nova for shoots inside the Zaxcom transmitter ecosystem. Aaton Cantar X3 still surfaces on feature jobs that prefer the Aaton workflow. Wireless complement runs Wisycom MCR42 and MTP41S diversity, Lectrosonics SRc, LMb and DCHT, Shure Axient Digital ADX5D and ADX1, and Sony DWR-R03D based on the local-range scan. Boom and lav inventory matches the boom-op leaf.

Here is the layout. Canada's location calendar layers acoustic, climate and regulatory variables that the mixer plans for at scout. ISED (Fresh ideas, Science and Economic Development Canada) lines up wireless range and the CRTC governs TV-broadcast allocation, so RF planning has scanning Toronto, Vancouver and Montreal TV white space and confirming the post-2019 600 MHz re-allocation rules around the T-Mobile auction band. The 1.9 GHz Wisycom DECT option is the clean fallback for the TTC subway, Vancouver SkyTrain and Montreal Metro interference corridors.

Here is how the work shapes up. TIFF, Hot Docs, Calgary Stampede and Just for Laughs Montreal each create week-long RF density windows where many shoots and broadcast outlets share the same urban range. Quebec winter humidity and the Newfoundland Iceberg Alley wind need heated cases, silica desiccant rotations and Rycote Cyclone-plus-overcover wind systems. Trew Audio's cross-border Vancouver, Toronto and Nashville footprint is the top rental house, with William F. White, Sim Digital, Coastal Sound Vancouver, Audio Plus Toronto, Sonic Synergy Montreal and Loftus Lake Sound rounding out the regional pool. CBSA ATA carnet handles global gear imports. Dailies route into Tattersall Sound and Picture, Lakeside, Urban Post and MELS Post without rewrap delay.

FAQ

Our Sound Network

What's included in location sound services?

Our location sound packages have a production sound mixer, pro recording gear, microphones, and basic wireless systems. Boom operators, extra wireless channels, and specialized gear are added based on your production's complexity and budget.

What recording formats do your mixers use?

Here is the breakdown. Our sound mixers work with industry-standard recorders including Sound Devices, Zaxcom, and Zoom F-series. We deliver in all common formats (WAV, BWF, polyphonic) with proper metadata, timecode, and sound reports compatible with major post-prod workflows.

Can you handle challenging acoustic environments?

Here is what that looks like on the ground. Yes. Our skilled mixers are skilled at managing difficult locations including busy streets, industrial sites, and reverberant spaces. We check location acoustics during tech scouts and recommend solutions including wireless lavaliers, directional mics, and portable acoustic treatment.

How do you coordinate with post-production?

Here is how the picture comes together. We give detailed sound reports with each shooting day, well labeled and organized audio files, and direct communication with your post team. Our mixers know post-prod workflows and record with editing and mixing in mind.

What about multi-camera productions?

We're skilled with multi-camera setups for TV, live events, and documentary. Our mixers set up timecode across cameras and recorders, manage ISO tracks for each source, and give stems that simplify post-prod.

Do you provide sound equipment rental separately?

Yes. We give standalone sound gear rental including recorders, microphones, wireless systems, and accessories. Gear can be rented with or without operator. We can advise on the right package for your specific needs.

Productions in Canada that need this often pair it with Wireless Audio Systems, Boom Operators, and Sound Recordist Teams for full coverage. Most projects also draw on Multi-Camera Shoots and Stop Motion Production.

On Set

Book Location Sound Services

Tell us about your production and we'll recommend the right sound team and equipment for your needs.