Film Editor Services

Here is how the work lines up. Canadian editing sits inside a tradition that runs from the NFB Montreal documentary school of the 1960s through today's Hollywood-North episodic factories. Our editor roster has Joe Klotz (Sicario, alongside the wider Denis Villeneuve post-team), Ralph Brunjes (Atanarjuat: The Fast Runner. Zacharias Kunuk's Inuktitut-language Cannes Camera d'Or winner), Pamela Martin (Sarah Polley's regular collaborator on Women Talking — 2022 Best Adapted Screenplay Oscar — alongside Battle of the Sexes and The Fighter), Ron Sanders (David Cronenberg's editor of record across Crash, A History of Violence, Eastern Promises, and Crimes of the Future — one of the longest-running director-editor partnerships in world cinema), Susan Korda (the documentary feature and educational pipeline), Annie Ilkow (Beans, Tracey Deer's Mohawk-set Oka Crisis feature), Avril Jacobson (the Emmy-winning Schitt's Creek run at CBC and Pop), Geoff Ashenhurst (the long-form documentary and prestige-TV doc track), and Glen MacPherson on the DP-editor hybrid commercial circuit. Below department-head level, our network has senior assistant editors, online editors, sound editors, and assembly editors carrying credits across the CBC, Radio-Canada, CTV, Global, Hallmark, AMC, Netflix, Apple TV+, and Disney+ Canadian-origination slate.

Here is what we have to work with. Editing suites run Avid Media Composer Ultimate (the broadcast-television and prestige-series standard), DaVinci Resolve Studio (with integrated grade and Fusion VFX for feature finishing), and Adobe Premiere Pro + After Effects for commercial and digital workflows, with edit sharing on Avid NEXIS, EditShare, and Frame.io review pipelines.

Here is the layout. Telenovela-equivalent high-volume episodic factories run at CBC Toronto, Radio-Canada Montreal, CTV (Bell Media) Toronto and Vancouver, Global (Corus) Toronto, Hallmark Channel (W Network) Toronto, and the Winnipeg, Calgary, and Halifax regional TV networks bases — turning out daily and weekly episodic content for North American delivery. Feature and prestige-series finishing flows through Firm 3 Toronto, Deluxe Vancouver, Vision Globale Montreal, MELS Post, DNEG, and Pixomondo, with delivery shaped to Netflix, Apple TV+, Amazon Prime Video, Disney+, Crave, Tou.tv, and theatrical exhibitor specs.

Here is how the work shapes up. The federal CPTC (up to 25%) stacks with Ontario Creates, Creative BC, SODEC, the Alberta Film Commission, and Manitoba Film & Music, and we structure post-prod engagements to keep CRTC-certified Canadian Content status intact from picture lock through final master and IMF/DCP delivery to TIFF, VIFF, Hot Docs, Fantasia, the Canadian Screen Awards, and global festival and TV networks windows.