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Science World - filming location in Canada

SCENE 01 / COMMUNICATION SYSTEMS

Communication Systems

Professional on-set communication equipment keeping your production coordinated and running smoothly.

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Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.

Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.

Capabilities

Complete Communication Solutions

From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.

01

Two-Way Radios

  • Motorola digital systems
  • Multi-channel radios
  • Long-range units
  • Waterproof handsets
  • Repeater systems

Reliable Coverage

02

Headset Systems

  • Production headsets
  • Surveillance earpieces
  • Noise-cancelling units
  • Boom operator comms
  • Director headsets

Hands-Free Comms

03

Intercom Systems

  • Clear-Com systems
  • Riedel artist series
  • Wireless beltpacks
  • Base stations
  • Camera talkback

Pro Intercom

04

Specialty Comms

  • IFB systems
  • Video village feeds
  • Multi-zone coordination
  • Stunt coordination systems
  • Crowd control comms

Specialized Solutions

On Location

ISED-licensed Motorola walkies, Eartec and RTS Bolero packages across Canadian units

Here is how the work lines up. Production comms in Canada have to cover everything from a single-camera Toronto Distillery District day where Motorola CP200d UHF signals bounce off heritage brick to a multi-unit Banff feature spread across the Icefields Parkway where line-of-sight breaks each few hundred metres. Our rental packages source Motorola CP200d, Motorola DP1400 and Kenwood TK-3140 walkies in the UHF 400-470 MHz band, scaled from 30-radio commercial packages through 80-plus radio feature rigs.

Here is what that looks like on the ground. Eartec UltraLITE HD production headsets ship as standard, with RTS Bolero wireless intercom for the largest shoots running multi-zone video village comms. William F. White inventory at Vancouver, Toronto, Montreal and Calgary hubs carries 100-plus units per major hub for short-notice scaling. Multi-channel UHF block allocation handles urban density in Toronto, Vancouver and Montreal where neighbouring shoots and broadcast users saturate the range on busy weeks.

Here is how the picture comes together. Frequency licensing routes through ISED (Fresh ideas, Science and Economic Development Canada), with TX/RX licensing via ISED permit-blocks for production use. We file applications well in advance — lead times stretch during TIFF September, Hot Docs April-May and the Calgary Stampede early July when RF demand peaks across the country. Banff and Jasper Parks Canada quiet-zone protocols rule out repeater placement near wildlife corridors and need surveillance earpieces over open-speaker walkies. Quebec heritage zones and Stanley Park Vancouver nature-protection constrain repeater siting.

Here is what we have to work with. IFB packages cover global director feeds when the brief involves remote viewing from LA, London or Tokyo. Cold-weather scheduling demands ARRI Cold Pack walkie batteries for Yukon, Quebec and Nunavut shoots from December through March — standard NiMH packs derate hard at -25°C and won't make a 12-hour day without the cold-rated chemistry. Pre-programmed gear ships charged with backup units and on-site coordinator support from prep through wrap.

FAQ

Production Communication Expertise

What communication systems do you provide?

Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.

How many radios do I need for my production?

Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.

Can you provide coverage in remote locations?

Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.

Do you handle frequency licensing in Canada?

We set up all frequency licensing needs with Canadian authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.

What about intercom systems for video village?

We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.

How do you handle equipment for multiple units?

For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.

Productions in Canada that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.

On Set

Need Production Comms?

Tell us about your production and we'll design a communication solution that keeps everyone connected.